“Symbolic Reparations and Aesthetic Modes of Resistance: Patronage and Visitor Response in Chilean Memorial Construction.” In A Companion to Public Art. eds. Harriet F. Senie and Cher Krause-Knight. Wiley-Blackwell. 2016.
“Competing for Memory.” Public Art Dialogue, 3, no. 1 (2013): 58-77.
“Justice & Punishment: Performance and Protest in Argentine Human Rights.” Artists Reclaim the Commons: New Works/ New Territories/ New Public, eds. Glenn Harper and Twylene Moyer. Hamilton, N.J., ISC Press, 2013: 213-218.
Selected Conferences, Symposia, and Invited Lectures
“Codifying the Rules of Remembrance: The Wall's Impact on Southern Cone Memorialization Projects,” College Art Association, 2016
"Mapping the Clandestine in Argentina's Post-Dictatorship Era," College Art Association, 2014
Co-chair Public Art Dialogue Round Table on International Placemaking, College Art Association, 2014
“Pop Art and Beyond,” The Denver Art Museum, 2014
"Luis Jimenez's Mustang," Latino Art Now Conference, Smithsonian, 2013
"Paper Silhouettes and Paint Bombs," Public Art Dialogue Round Table, College Art Association, 2013
"Don't Expect Them to Erect a Monument to Your Feats: Vandalism and Destruction of Argentine Memorials," Southeastern College Art Conference, 2012
"Proof Positive: The Photographs of Argentina's Disappeared as Objects of Subversion," College Art Association, 2012
"Drawing the Dictatorship," Cultural Studies Association, 2011
"Competing for Memory: Parque de la memoria, Argentina," Association of Latin American Art First Triennial Conference, 2007